All posts by Jahnavi Newsom

Sunset, followed by the moonrise, and then the sunrise over Teton Canyon… watching the world carry on as we carry our friend in our hearts.

The video above includes the sound of the dawn chorus that I recorded while watching the sunrise over Teton Canyon. I shared a few pictures that I took during this time, but they really don’t do it justice. Mostly I wanted you to be able to listen to the birds sing while you read what follows…

The color changes at sunset intensify the fluorescent green lichen and salmon pink of the boulders which surround us here in Teton Canyon. Gray mystery birds stand at attention at the tippy tops of the spruce trees, one bird per tree top. They serenade the drifting Sun until the very second he disappears behind the snowy cliffs of the southern ridge.

Our friend Evelyn drifts through our minds as we sit quietly, her presence like lingering smoke, her memory filling us with love and deep sadness.

The Moon rises a few hours later, appearing with a glowing and sudden brilliance as the Earth tilts towards her, leaving us both hushed. Her light makes the snow glow, and gives a regal bearing to the silhouettes of the trees.

I wander through the moonlit forest, gathering dry branches and leaves to enliven the campfire with. With each step I carry Evelyn with me, wondering what it would be like if she was here camping with us, playing her guitar and telling stories. I’m trying to understand how she can be gone but my mind can’t make sense of it.

The campfire is bristling with yellow and orange flames as we feed it aspen and pine branches. By the time the Moon is high in the southern sky, the fire has settled into a clinking reverie of brilliant, jewel-like coals.

We play mandolin and ukulele, working through the chords and melody of “Fare Thee Well”, a song we will sing for Evelyn at her memorial service next week.

“Fare thee well, beloved friend. The time we’ve shared has reached its end. So suddenly you’ve gone away… there’s so much more I long to say. So fare thee well, beloved friend, I know we will meet again…”

We can see quite clearly by moonlight all night, which is comforting, despite the physical discomfort of sleeping out in thirty degree temperatures.

We toss and turn all night. I dream about Evelyn’s family, trying to reach out to them and hold them in my arms, trying to tell them how sorry I am for what they are going through.

In the morning the birds find their familiar positions at the top of each spruce, and they sing their hearts out. They reach a crescendo above me along the northern ridge, just as the sun peaks into full view.

There are so many colors… the gentle green of the aspen branches and sage brush… the reddish hues of the moose maples… the dark green of the pines and spruces… the grays and pinks of the rocks… the tawny yellow of the dried grasses… the orange brown of the moist earth… the cool white of the snow…

I meditate, perched on a boulder. I try to breath for Evelyn, picturing her face as I wish her well, wherever she is now.

By the new light of day I gather dried sage flowers and branches to put over the small fire we rekindled. I follow moose tracks back down to our camp, recalling something I heard Tom Brown Jr. say once, during a Tracker School class: “…like tracking a dinosaur through peanut butter…”

The gentle smoke of sage permeates our camp as we get ready to go home. We watch the fire slowly go out, and it makes me think of the sacred fire I held for my uncle after his passing, here in Teton Valley. I suppose this was our sacred fire for Evelyn, which we fed with our memories of her, our song for her and our hopes for her family’s healing.

Both Addison and I are sleep deprived and smell like wood smoke, and we are filled up with this time spent in the forest. We feel content and melancholic as we slowly drive away, jostled by the potholes that riddle the snow-packed road.

And I wonder, where is Evelyn now?

Chickadee’s Legacy

Artwork by inmate Aaron Pearson

Each time we find ourselves standing on a stage or in a living room or in a backyard in Illinois or Vermont or Baltimore or Baton Rouge and we are holding our instruments and gazing into the unknown—a group of faces belonging to people we’ve never met, or people we’ve just met, or people we’ve known for years—we always reach that moment of free fall, when Addison introduces the song “Chickadee”.

“This next song is the title track of our new album, and is dedicated to our daughter, Chickadee,” he says, “who was stillborn two years ago. This whole tour is about her and this album we recorded for her. It’s also for you—all of you who showed up here and are making space for this music and this story.”

I stand transfixed, almost in horror, as he bares our bloody hearts for all to see.

“This song is the silver lining to something that was really hard,” he says. He begins playing and I fall into step with him. We free fall into the arms of strangers.

When the set is over and we enter into the midst of our audience, we find acceptance over and over again. We find a shared story with our listeners.

A woman approaches me. “Thank you for sharing that song about your daughter. Not many people talk about these kinds of things. My sister’s first and only child was stillborn. She doesn’t really talk to anyone about it and no one says anything to her, except for me. I’m going to share Chickadee with her.”

A man comes and stands with me, his eyes filled with tears. “Thank you for sharing your story. My wife and I lost three babies.” We embrace, and our tears mix together to create an elixir that heals us, a little more. Just a little more healing to get us through.

We’ve played our music for people all the way from Colorado to Louisiana and we finally arrive in Austin Texas where Chickadee was born, and where she is buried. The sights and smells remind me of the intense joy I felt while I was pregnant with her.

Our first show in Austin is at the Mohawk, a music venue with a stage and big lights that shine in our eyes as we stand up in front of a group of people we can’t see. I consider the option of bailing on the whole vulnerability aspect of the tour. This is a big venue, and people are here just to “have a good time”, right? We don’t need to ruin their nights by talking about our stillborn baby. But balking now would feel like a betrayal to something we’ve spent the past two years discovering.

Our voices and instruments are so amplified I feel as though I will be knocked over by the sound, so I try to ride the waves instead. We reach the part of our set where we’re supposed to play Chickadee’s song, and I barely breathe, not looking at Addison but watching his every move. Is he going to go through with it? He introduces the song. I wait, frozen. I wait for people to turn away in disgust. To walk out, shaking their heads. No one moves. I feel their hearts open, their willingness to go there with us.

“Being here with y’all is really what this whole tour is about,” Addison says. “Sharing this story and this album with people like you, especially here in Austin where this story began, is really special.”

After the music is over, we find our way off of the stage and once again into the arms of strangers. Human beings who have all suffered and lost, just as we have.

“Y’all are giving us all permission to be ourselves,” one person says after we’ve pulled everything off stage to make room for the next band.

“You’re doing something with your music that I want to be doing but don’t know how”, one musician tells us. He plays in different bands around Austin, but works on his own music as well. “I want to get there. I am figuring it out. I’m so inspired by your vulnerability and your story.”

A week and a half later, and about a month and half into our tour, we are going to a Buddhist gathering at the Travis Correctional Facility in Dell Valle Texas with our Dharma teacher, Alyssa. We pass a mandolin, banjo, guitar, harmonicas and fiddle through the security check and inside the fences and razor wire, and find a group of men in white and black striped jumpers, ready to meditate, to listen to our music and to discuss the wonders and hardships of being alive.

I look into the faces of these men, and see that their suffering has transformed them. They are in jail, but they are learning to find a freedom that they will always have access to—freedom from their thoughts, feelings and perceptions; freedom from judgement, freedom from attachment to things being a certain way; freedom from the notion of being a separate self but rather the freedom of finding ourselves in everything and everyone.

Addison, Alyssa, these prisoners and I have all come to this Buddhist practice through our own trials by fire, and we have arrived together from different paths, yet now we are together and trying to support one another along the same path. Alyssa greets each man as though he were a beloved son, embracing them and listening intently to their updates and check-ins.

We sit down and meditate together, following Alyssa’s instruction to relax the tops of our heads down to our feet, and to allow ourselves to arrive here fully. After meditating, I push metal finger picks onto my right hand and place the banjo into my lap. Addison tunes his five string violin and then we begin to play. The music transports all of us, beyond the prison walls, and we all forget where we’re sitting. We forget that this is the first time we’re meeting each other, feeling a familiarity that goes beyond our stories and judgements.

I tell the men briefly about losing Chickadee and how she appears in the song we just played and the one we’re about to play.

“I’m so sorry,” I hear one man utter softly.

After we play some more songs, a man shares the story of his father dying, while he was still in jail and unable to be with him. “Look at your hands,” Alyssa says. “Can you see your father’s hands in your hands? He is still with you, he’s still inside of you.”

“My father used to hold my hand through church service every Sunday,” he says. “I can still feel his hand on mine when I close my eyes.”

“Here in prison, right here with y’all,” one man says, pointing to the instruments in our hands, “is a joy I never experienced when I was ‘free’. Back when I was taking dope and peddling drugs, I never felt joy. I didn’t know what joy felt like. I would take drugs and ‘have fun’, but that was nothing close to this. Just sitting here in this circle with all of you, is the greatest joy I’ve ever felt.”

The men ask us questions about our life, how do we support ourselves, is it only with music?

“We offer people something that we have the ability to offer – our music, our story, our presence – and we always receive something back,” I say, “whether it’s money or a place to stay or a juvenile peacock feather tied to our merch case. Like being here with you and bringing you joy is a compensation that goes beyond anything we can compare. It’s the most fulfilling thing I can think of doing.”

It’s time to leave, so Alyssa rings the bell, and we bow to one another in gratitude for showing up and for what each person shared of themselves. Then we turn to bow to the trees and the insects and the sky and to all of our ancestral teachers. As the men prepare to leave, they give each of us hugs, thanking us for coming.

We make our way back out of the giant cage of the jail, and Alyssa asks if telling Chickadee’s story over these two months on tour has been like ripping a scab off of a wound repeatedly. Alyssa lost her grandson a few days after he was born, not long before we lost Chickadee, but I still haven’t heard her talk directly about him in her Dharma talks. Maybe one day she will.

“You know I don’t think there was a scab on the wound to pull off,” I tell her. “Talking about Chickadee and playing her songs for people has been helping the wound to scab and heal, instead of just bleeding non-stop.”

I used to feel so isolated in my grief, bemoaning the lack of ceremony we have as a culture around death, especially of babies and children. I had no idea until I was a bereaved mother that the way the death of babies is handled by many people is by avoiding the subject, for fear they might “upset” me, as if I’m not already beyond upset. But I don’t feel angry about the avoidance anymore. I understand their silence comes from not knowing what to do or say. So Addison and I created our own ceremony around Chickadee’s death by recording her an album and traveling the country with it.

The next morning after visiting the prisoners, we packed some snacks and Zoso into the car, picked up birdseed from the store and drove the thirty miles east out of Austin to Eloise Woods, the green burial site where we left Chickadee’s tiny little body two and half years ago.

On the day she was born, we had held her for hours, admiring every inch of this little miracle who emerged from my body. A few visitors had come and gone, crying over her both in sadness and in wonder, including my sister and my dad, who’d flown in at short noice when they heard the news. The hospital put her on ice afterwards, to give me time to recover from giving birth and slowly regain feeling in my lower body from the epidural.

Later we asked to see her again, and we cradled her cold, bundled body, looking into her face and wondering what we should do with her. The hospital was offering to incinerate her and give us a tiny urn filled with her ashes. Our midwife was telling us about a green burial space that we could bring her to.

“But we’ll need to keep her on dry ice all night, and change the ice out every four hours,” she said. “And we need to bury her tomorrow for sure. Her body is very fragile and delicate, and it will start to fall apart quickly.”

Talk about fucking impermanence.

I was trying to wrap my mind around keeping her in a box in our bedroom and changing out dry ice in the middle of the night when I could barely even walk and Addison was a bereft zombie version of his former self, when my sister stepped in.

“I can take care of that,” she said. “I’ll set a timer and change her ice out and whatever else needs to be done. You won’t have to think about it.”

She looked into my face, and I know that she could tell that the difference between us burying Chickadee or cremating her was what kind of support she could give us in this time of utter disbelief.

“Ok,” I said, knowing that I could rely on her. As soon as my sister received the news that my baby died while I was in labor, she’d gotten on the first plane out of Seattle that she could find a ticket for. “Thanks Radha.”

I’d imagined Eloise Woods to be an open area, a rolling cemetery covered in bright green grass with giant willows weeping across the symmetrical lines of gravestones. But Texas is not the northeast, where I’ve spent most of my life. This green burial place is a couple of acres covered by scraggly oaks and scrubby brush, with stony paths cut through the woods. Erect gravestones are not allowed, so all of the markers lie flat on top of the burial mound they belong to, mostly marking the graves of babies and pets, though some adults rest there as well.

We arrived in a caravan of cars. Addison parked our car in the shade where I waited with our daughter in a styrofoam ice chest beside me. My sister visited with me in between checking on the progress of finding a spot to bury Chickadee. Addison wanted the best place for her and was walking in circles around the site, trailed by his mother, my dad and the midwife. What felt like an eternity later, he’d decided on a couple of options, and they led me around and showed me our choices. I was dismayed by how hot and merciless the sun was, and by how unwelcoming this place felt, and despaired at finding a burial place I could be happy with. At one spot I was being shown, I turned around and looked behind me. There was a corner patch of woods where I could see an opening at the foot of an oak tree.

“What about over here?” I asked. Everyone turned and looked. I wanted Chickadee to be buried somewhere remotely shady, and between the oaks and a big pine nearby, it was one of the shadier options. It was also a private nook, where no one else was yet buried.

Everyone agreed it was a good spot.

I went back to my seat in the car with Chickadee, and the men got to work, relieved to have something to do with themselves. They cut back brush, raked and eventually were able to begin digging her burial spot. It need to be at least three feet deep, which is no small task with soil as hard and rocky as this Texas soil was.

A chaplain, who my midwife had asked to come, was helping to cut and dig, when I asked if I could see him and talk to him about the ceremony he was planning on leading for my daughter. He walked slowly to the car, brushing dirt from his hands, and sat next to me solemnly.

“Mary Ellen asked me to do something involving some Christian songs and words,” he said, “but I hear you’re not Christian.”

“No, I’m not,” I said. “Not that I have an aversion to Christianity either.” I think my dad had been worried about his granddaughter getting Jesus-afied during her burial, because he’d seemed a bit grumpy after the chaplain’s arrival.

“What do you believe?” the chaplain asked me.

I was so glad to be having this conversation. So glad that someone was asking me this.

“Everything I’ve read that the Buddha taught really makes sense to me,” I said.

“So are you Buddhist?”

“I don’t know…” I said slowly. “Maybe I am.”

We talked about life after death, spirituality, God or no God, all of the topics I love discussing with intelligent yet kind people such as this man.

We wrote out the ceremony together, and when it was time all of us formed a semi-circle, standing or sitting, around the freshly dug hole. Addison went to the car and carried the little bundle of his daughter over to the grave and carefully lowered her in. Later I would regret not having held her one last time, but at that moment I just sat and watched her go into the ground.

Addison and I each sang her a song, and her Nana tried to sing her a song but couldn’t get the words out through her tears, so Radha and I picked up the song where she’d left off and sang it. Radha also read her a message from my friend Colleen, and my friend Alice read her a Mary Oliver poem. MariMikal and her friend sang a couple of songs as well, and then my dad stood up to say some words.

“I can’t help feeling that she’ll be back,” he told all of us. “She came to Jahnavi and Addison at an important time in their lives, and now that her work is done she left again. But I think she’s coming back.”

When it was time to bury her, I lowered a beautiful moonstone necklace onto her bundle, given to us by the midwife’s assistant, along with a moonstone necklace each for Addison and I. Everyone surrounded her and began to pour shovels or handfuls of dirt over her. A chubby stone chickadee was placed at the head of the grave, along with some other pieces of art and beauty brought by friends or family.

Two and half years later we are arriving in the same car we’d transported Chickadee in, but this time we know our way around. We open the gate and roll in on the bumpy dirt trail, parking at the beginning of the Moonlit Garden path. Zoso knows the drill, and bursts from the car in a flurry of excitement, and commences with peeing on things and chasing rodents through the underbrush.

It’s spring this time, and although it’s sunny, it’s not yet too hot. There are wildflowers bursting with vivid colors all around, and it lends a feeling of cheerfulness to this unassuming patch of Texas forest. I look around, wondering how much of Chickadee’s essence is dispersed through the landscape here, how much of her is still inside of me, and where is the rest of her?

According to Thich Nhat Hanh and the Buddha and science, our bodies and energy re-disperse into the world around us after we die, our molecules becoming a part of the insects, trees, plants, birds, sunshine, rain and clouds. Perhaps our mind-stream carries on to another form, but that is always up for debate. As the Dalai Lama says, until science can prove that re-birth does or does not exist, then maybe it does.

“As far as I know, no modern psychologist, physicist, or neuroscientist has been able to observe or predict the production of mind either from matter or without cause,” he says. If something has no beginning, it makes sense that it has no end.

Addison and I sit by Chickadee’s grave for a while, talking, playing music, journaling, reading and, of course, filling up her bird feeder with a mix of sunflower seeds, peanuts and safflower seeds. I sprinkle the seed mix around her spot, and Zoso wanders around picking up the peanuts and munching them contentedly. He’s hot, and keeps trying to do the frog dog, legs splayed out and belly to the cool earth, directly on top of Chickadee. Addison keeps shooing him off, but I finally say, “You know what, just let him. She’s his little sister and I don’t think she minds.”

Yes, I know that a dog can’t actually be related to a human, but Zoso is our baby and so is Chickadee, so there it is.

It’s strange sitting with a part of me that has been buried.

We take a walk around the grounds, noticing new burial sites with markers from 2018 or 2019. Beautiful quotes engraved in stone mark the paths, and we pause to read them or to smell the fragrant wildflowers who smile up at us. We find a dog bowl for Zoso because he’s hot and thirsty, and as we search for a spigot to get him some water, we discover a two foot tall medicine Buddha hiding behind the tool-shed.

“Oh wow,” I say.

“What’s he doing behind here?” Addison asks.

“He’s too tall to meet the marker requirements,” I observe. “And they don’t want statues set up here either. I know we have our chubby chickadee, but we are technically breaking the rules. So someone probably brought him here not knowing that, but then the caretaker saw and hid him back here while they figured out what to do with him.”

“Let’s take him to Chickadee’s spot,” Addison says.

“Ok,” I laugh. “They’re going to discover him sooner or later and carry him away again, but we might as well bring him over to hang out with her for a while anyway.”

Addison picks up the Medicine Buddha and sets him next to Chickadee’s grave. The Buddha gazes down at her in his cross-legged pose of blissful concentration.

Chickadee left a legacy of the greatest sorrow we will ever know. And she has left a legacy of music that we hadn’t known how to play until she came around. She taught us to be brave. She helped us commit to a spiritual practice, first when we were expecting her and meditating with her every morning, and after she left us. She has shown us that we really are interconnected with all beings, and that everyone has a story. If we stay vulnerable and just listen, we will hear the entire universe in the laugh of a baby, we will see all of the oceans in the tear of a woman, and we will smell the beauty of the entire world in the fragrance of a flower. When we begin to live our lives for the benefit of others, our happiness expands and we can begin to truly see other people as human beings with a story and a legacy of their own, which is not separate from ours.

We’re all in this together.

Bare beauty and a question for you

Dear friend,

I have received your letter or message and it has been a salve to the craggy, scarred face of my heart.

To those of you who sent a letter or card or flowers (Melissa, Russell, Manjari, Chris, Ami, Ashton, Ellen, Ros, Kelsey, Chrysantha, Ben and Alice) I want you to know that your love and effort has moved us deeply. As I expressed to my friend Alice, when I receive a letter or card from you expressing your care and support, there is a sense of relief inside of me. This heavy weight in my chest is no longer only carried by me; I feel your hands holding it up as well, and it is that much easier to bear. To me, this is no small matter. Your kind actions mean the world to me. I believe that Addison feels the same.

Even just the act of sitting and reading what I write, taking the time to sit with me through each post, is something I appreciate deeply. I love seeing your comments or reading your emails. I can attribute much of my healing process to you being here—wherever you are—to receive what I am sharing. Thank you.

Here in Colorado the skies create a sapphire backdrop for the golden fields and orange or gray or white, leafless trees. I never knew dead grass and bare branches could be so beautiful. When I walk Zoso at dawn, his tracks are negatives across the frosty ground. There are sounds of crunching beneath my feet as I breath with my steps.

These days are spent working, writing, recording our album, and—for me—crying many tears. I am missing my daughter and I understand now that there is no end-date for this sadness.

A couple of weeks ago I attended a meditation retreat in the Rocky Mountains with Addison and my sister, Radha. We spent a lot of time in silence and in ceremony. At times I found myself prostrated on the ground, invoking my ancestors and spiritual teachers. I lay down on the earth, practicing letting go and asking for help. Chickadee was there. In a way she has become my ancestor, though I was the one who gave birth to her.

I asked myself a lot of questions during those five days and received few answers—but that’s too be expected in any spiritual quest.

One of the questions I continue to ponder is this: what is going to be my way of taking positive action and helping to ease the suffering of living beings on this planet?

I was reminded—during a powerful presentation given by a Lakota dharma teacher at the retreat—of the many issues which are swept under the rug and kept from public view.

I contemplated how I am living in a country whose native people have been massacred, imprisoned, lied to, and mistreated in innumerable ways by my political leaders, both past and present. The Dakota Access Pipeline was one incident that the native people and U.S. religious leaders and citizens brought to public attention. But there is so much that goes unseen. What can I do to balance the scales? Can I take responsibility for my ancestors’ actions without being crushed under the weight of tremendous regret and sadness for what cannot be taken back?

Larry Rowe, another dharma teacher at the retreat, is an African American man. He mentioned the unease he feels being in the United States, and how much safer he feels in other countries. It reminded me that someone with different skin color than me may not be treated as well. I don’t want to turn a blind eye on these things.

I do want to consider deeply where I can be the most effective in creating positive change; I know my own limitations. 

What are some ways that you take positive action in the world? I’m curious to know, if you have a minute to share in the comments below (I may very well steal your idea if it really resonates with me—heh heh heh).

Yesterday we spent three hours recording my harmonies onto a 3 1/2 minute song for the upcoming album. It felt like a good use of our time, and it was also a reality check of just how long the recording process takes, not to mention mixing the tracks before sending them to be mastered!

The song we worked on yesterday is called “Chickadee”. Addison wrote it about our daughter. There is no way I would have been able to sing the song through, but he managed it beautifully. I approached my harmonies for the song by focusing on each sentence as a separate piece. I made myself concentrate on the words as syllables or notes which I had to sing in key and match timing with Addison’s voice. It enabled me to get through the whole recording process cheerfully. Listening back through the song as a whole definitely choked me up, but by then I was done singing for the day so that was fine.

My brother—who normally lives in South India—is currently in the U.S. due to a series of events, so Addison and I took advantage of his proximity and flew him out here. You may have already seen some of the photos he’s taken since he arrived in The Love Sprockets’ Instagram or Facebook feed. (the picture at the top of this post is his)

In the next week and a half we’ll be doing some photo and video shoots with him, and he is also revamping our website. It feels good to be “starting over” in certain respects to our music and as a band. We are really embracing our band as a duet, instead of wishing it was a four piece. And this next album will have a different sound and feeling from the last one we released.

Thank you for reading this update; I hope at least some of it was interesting for you. 🙂

Don’t forget to share your own way of creating positive change (big or small) in the comments below.

Big love to you!

-Jahnavi

P.S. You may have heard or figured it out—we extended the release date for our upcoming album, entitled “Chickadee”. If you haven’t gotten around to preordering it and getting your name in the liner notes, you still have time: http://music.thelovesprockets.com/album/chickadee

As a year approaches

There is a blocked, irritated mass of muscles between the ribs on my right side. They are trying to hold things together while while my left side sags beneath the immense weight of my heart.

When I lie down, sometimes it feels as though a lead ball is resting on top of my chest. In the mornings I wonder about my ability to rise, to attend to the usual chores, work projects, exercise, music practice.

But then I realize that if I don’t get up, the lead weight will get heavier and heavier, like an alarmingly fat cat settling in for a long nap on top of me. And maybe I will suffocate under the overweight sadness.

When I get out of bed, and I set up our meditation cushions, when I read to Addison and ring the bell, when I play through a few of our songs in preparation for the upcoming show, the weight is more like a koala bear, hanging on to me from the inside, wrapped around my heart and pulling it down. It’s still heavy, but I can walk around. I can talk to people, make jokes with cashiers, edit newsletters.

And I wonder this: how can I be so heavy, while there is such a big part of me missing? My daughter lived her whole life inside of me, and then she left. When it was time for her to emerge, she refused the calling.

I was her universe.

And I was her death bed.

She was my greatest hope

And now… my greatest sorrow

And my greatest love.

A few months ago, during a set break at one of our last Austin shows, an acquaintance who was attending the performance came over to talk with me. She asked how I was doing. “How are you really doing?” she demanded.

If someone seems to truly want to know how I am doing, than I naturally respond with honesty. “Well…” I began. “It’s been hard. We’re grieving our daughter. I’ve been really sad.”

“Hey,” she said. “You’ve got to go on with your lives. You’ve got to be happy again. You can always have another baby.”

I stared at her.

You can always have another baby.

She kept talking, and it was all of the wrong things. I didn’t ask her to stop. I didn’t ask her to go away. I wish I had been able to.

I will never replace Chickadee. I know this with dead certainty.

She is not like a pet that died, or a collectible item that was stolen.

I may have other children, and they will be themselves, and I will love them for it.

A woman who I have befriended here in Colorado also lost her daughter at birth. It was 40 years ago, and yet whenever we speak of it, tears fill her eyes. She will never forget her baby girl.

Chickadee died on November 15th, 2016. She was born on November 16th, 2016.

As her death and birth anniversary approach, I hope that you will remember her. Maybe you can light a candle for us, or send a prayer. Maybe you can do a good deed on her behalf.

And if you feel inspired to send a note, a card, or whatever, you can mail it to:

520 North Sherwood Street, #26, Fort Collins, CO 80521

We will accept any and all of the love that you are able to offer, with deep gratitude.

Love,

-Jahnavi

P.S. Don’t forget you  can preorder the “Chickadee” album here:

http://music.thelovesprockets.com/album/chickadee

Your Clear Refusal of Our World

My aunt Ros was organizing some books a couple of weeks ago, when one of them fell and opened to this poem…

 

For a Child Born Dead

What ceremony can we fit

You in now? If you had come

Out of a warm and noisy room

To this, there’d be an opposite

For us to know you by. We could

Imagine you in a lively mood

 

And then look at the other side,

The mood drawn out of you, the breath

Defeated by the power of death.

But we have never seen you stride

Ambitiously the world we know.

You could not come and yet you go.

 

But there is nothing now to mar

Your clear refusal of our world.

Not in our memories can we mould

You or distort your character.

Then all our consolation is

That grief can be as pure as this.

                                                      -Elizabeth Jennings (1926)

 

Ros typed the poem out, printed it and glued it to the back of a little chickadee painting photo, which she sent to us.

The poem struck me and brought me to tears.

Elizabeth, the author of this poem, describes the sudden death of her child as “your clear refusal of our world.”

Oh how rejected I felt by my daughter when she died.

“We created such a beautiful home for you!” I cried after her death. “We got everything ready. I dusted, cleaned, planted a garden, raked leaves; we hammered in every nail on the back porch so your soft, fat legs didn’t get scraped by them. I practiced Spanish and French so you could hear me in the womb and grow up bilingual! I meditated with you every morning, I read you books, I imagined your whole life stretched out in front of us. We were going to take you on bicycle tours, take you to France to meet your relatives, take you to India to hang out with your monk uncle! You were going to have such an awesome life! Why didn’t you want it? Why didn’t you want us? How could you leave me like this?”

But then Elizabeth says, “Not in our memories can we mould or distort your character. Then, all our consolation is that grief can be pure as this.”

Chickadee was and is the perfect child. She never grew up and became tainted by the many sorrows of this world. She never had a drug problem, or yelled at me “I hate you!”. She never became depressed.

How true are Elizabeth’s words to me.

Later, I reread the poem and examined the date on which it had been written. 1926. That was almost a hundred years ago.

Almost a hundred years ago this woman experienced a loss and grief so similar to mine that the poem she wrote is one I could have written.

Grief is universal. Joy is universal. Pain is universal. Happiness is universal. Who knew that a grief this specific could be so universal? I knew and yet I needed this poem as a reminder.

Whatever you are feeling right now, whatever pain you are experiencing, whatever longing you’re having, remember this:

You are not alone.

Somewhere in the world, and at many points in history, there is someone who has felt or is feeling what you are feeling. Someone has gone through what you’re going through. Someone is going through what you are currently experiencing. Someone will experience what you are going through in the future.

Thank you, Elizabeth Jennings, for writing that poem, and Ros for finding it and sending it to us. 🙂

P.S. We are going to be releasing an E.P. in honor of our daughter’s one year anniversary, called “Chickadee”. When you preorder the album, your name will be printed on the inside of the album cover, to memorialize you as one of the people who made the project possible. Click here to preorder: https://thelovesprockets.bandcamp.com/album/chickadee

P.P.S. If you preorder “Chickadee” for $25 or more, you will get a surprise in the mail along with the new album (it might be a beautifully hand painted pair of underwear, a T-shirt, a postcard, who knows?) Click here to preorder: https://thelovesprockets.bandcamp.com/album/chickadee

Happy happy

I’ve heard that while we are babies, we can still remember our past life, and that we know many things which we slowly forget as time passes.

My mom said that when I was very little, my first words were, “Happy happy!” I would say this while bouncing and clapping my hands. She always gets a big smile on her face when she tells me that.

This morning I was meditating and practicing the Four Establishments of Mindfulness. During the second part, which is feelings, I was breathing in and saying internally, “I feel happy”, and then breathing out and saying, “I feel happy.” In that moment I saw myself as a little girl, bouncing and chanting, “Happy happy.”

I thought, “Wow, I already had this all figured out back then. I guess I forgot and now I’m reminding myself.”

I wonder if I still remembered who I was when I was learning to say “Happy.”

It’s funny and terrifying, but someone recently compared the process of re-birth, or reincarnation, to be like “attending junior high school, over and over again.”

Maybe I am currently relearning things I already know. But hopefully I’m getting better at them each time around. 🙂

How to be a badass

The man sits perfectly still in his dark brown robes, his back erect, his eyes bright and smiling. The rest of us in the room are shifting, straightening or re-bending a leg, pushing shoulders back to keep from slumping.

A giant golden Buddha sits behind Thay Tihn Mahn, a similar smile curving the statue’s lips.

Thay Tihn Mahn is answering a question, a question about how to let go of bad memories or experiences.

“When I was a child during the Vietnam war,” the monk is saying, “I saw many of my friends and neighbors killed or raped. It was very traumatic for me to see.”

His Vietnamese accent is so strong, it has taken all afternoon for me to get accustomed to the way he pronounces words, and the inflections he uses. But he speaks clearly and slowly, and I can still barely believe what I am hearing.

“I could have been consumed with hatred and anger for these people who were killing and raping. But that would be very harmful to me, and to the world.”

As he speaks, he looks from each on of us to the next person, holding eye contact for what seems like many minutes at a time.

“Instead, I had to look back at these situations. I had to look back at these memories, so painful, and see how I could find compassion for these people. That is the only way I could transform the pain.”

Everyone in the circle is watching Tihn Mahn, and perhaps they are as amazed as I am to see this man, who is so incredibly kind and ready to smile, and to realize what he had to overcome to get to the place he is now.

“So we must take our pain, our suffering,” he went on, “and make it into our strength. Through finding compassion for the people we are angry with, we become very strong.”

And here I am, sitting in front of this man who sends loving-kindness to murderers and rapists, and I feel a little silly.

I thought I was really making strides, practicing compassion for friends or family who I only perceive as causing me suffering. I feel accomplished when I take my feelings of disappointment or hurt, and I channel them into loving-kindness, and come out the other side feeling more peaceful, more at ease. That’s great and all, good for me…

But practicing loving-kindness for people who murdered your friends and neighbors? This is a whole new level of understanding and it’s really raising the bar for me.

As we drive home I wonder where Thay Tihn Mahn came from, and how he ended up building a Buddhist monastery in the mountains near Denver.  Do the people speeding on the highway below realize that a 40 foot statue of the Goddess of Compassion is gazing down at them from those mountains?

I hope one day I can be a badass like Tihn Mahn. 🙂

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If you have a minute, write a comment and say hi to me. I love hearing from you. Tell me your thoughts or share a story of what you did to get through a tough experience.

Love,

Jahnavi

P.S. By the way, my band (The Love Sprockets) is releasing our next E.P., dedicated to our daughter, Chickadee. You can preorder it here: http://music.thelovesprockets.com/album/chickadee

Every Situation is a Passing Memory

Do you ever feel like you’re living in a dream? Like, what actually makes our dreams less real than our “real life”?

When I was a teenager, I would get a kick out of going wide-eyed and saying to my best friend, “What if our dreams are real life and right now we’re just dreaming??”

Sometimes I was sure I would finally “wake up”, and my true love—Leonardo DiCaprio of course—would be sitting by my bedside holding my hand, crying tears of joy as my eyes flutter open.

Pema Chodron says, “Every situation is a passing memory.” Think about it. Everything we do, every moment, every thought is always swiftly becoming a memory. Every second that passes becomes a memory.

And you are a part of my memories, a part of what I identify to be my self. Walker Bob, Tom Weis, Maria, Alice, John Gray, Bhakta Priya, Govardhana, Chiara. The list goes on.

Bob read a poem I wrote the other day, and we cried together, hundreds of miles apart.

Tom Weis, in a dream, has his bicycles and a small trailer attached to the back of our future school-bus home.

I talked to Maria on the phone while we were on tour last week, and she was organizing multi-colored fabrics and decomposing bison masks and boxes of feathers and bones and skulls while we talked. “Do you know what is relieving and depressing all at the same time?” I said to her. “According to the Buddha the only thing we get to take with us when we die is our mind-stream. In other words, the things that I think all of the time that I find so annoying, don’t necessarily just go away after I die. Actually, the real way to let go of my negative patterns is by meditating and doing the work.” “That’s kind of terrifying to think,” she sighed.

Just before we left on tour, Bhakta Priya called me (the childhood best friend who I would contemplate concepts like dreaming vs. real life with). “I think I know why you’re calling,” I said. We hadn’t spoken in months. “Yeah,” she sighed. Govardhana had died suddenly that morning. We recalled sledding on snowy Vermont hills with him, and how he would say things to us in Italian and we couldn’t understand him.

Govardhana was diagnosed with stage four melanoma just a few months ago. I created many memories of him in these last few months, even though I haven’t seen him in 15 years. I tried to get a hold of him, called his mother and left a message, considered driving to his house with soup or flowers or… I didn’t know what I would do. I just wanted to help somehow.

I created a memory of sitting with him, sick in bed. I held his hand and he smiled, even though he felt so ill. His eyelashes were still incredibly long. I told him everything was going to be okay, no matter what.

We drove all over Colorado and played music for hundreds of different people last week, and all the while I knew that Govardhana was being grieved by his parents, his children, his friends. And it was like this heavy secret I was carrying. Anyone who I confided in had to watch me melt down into an onslaught of tears.

With only 2 days of the tour left, we found out a friend in Vermont had committed suicide.

I held that, along with everything else. A crushing weight, like the whole world was sitting on my chest.

My friend Alice shared her day with me that night. Her dad’s death anniversary had just passed and she had spent it journaling, crying, just being with him.

We got home from tour the other day. I opened an email from my old friend, Chiara, and she told me the story of being 15 years old, her dad coming home from work and going to bed, and how it felt to discover the next day that he was never going to wake up again.

“I feel crushed,” I told Addison. “I don’t know how else to describe it.”

But here I have the quiet spaces, the time in between, to contemplate, to unpack, to consider all that has come to pass in these last two weeks.

Death is a dream, as is life. How could we be expected to continue functioning after the death of a loved one if it were really truly real?

Thich Nhat Hanh says that when we die, it’s not as if we leave a blank space behind. We can’t “subtract” ourselves from the universe. Everything that makes up our essence, our continuation, is all there. It just changes form.

The Bhagavad Gita says, “Never has there been a time when you or I did not exist.”

The Buddha says there is no “you” or “I”. But there is also NOT no “you” or “I”. We are not separate, but we are not the same.

When I think about my daughter Chickadee, and her tiny body buried in Texas, I wonder. Is there any of her essence still left there? The chickadees here in Colorado flock outside of my window, chirping and eating bugs and bringing me the memory of my child. There are chickadees all over the world who bring my daughter’s memory to anyone who has heard of her.

Wherever she is now, she is also my memory. And she is your memory. And you are my memory, as I am your memory.

May you and I continue to make more memories together for a good long while.

Dear Everyone

Dear Everyone,

It has been a lonely time

Inside of here

 

No, there have been people

People to see

People to hear

People to call

But I hope to learn

To love you all

While sitting this one out

 

It gets dark in here

I’m not sure how I feel

Just a hollow

A tightness in my throat

 

She’s gone

She is really gone

I held on

Until it didn’t hurt too much

To let her go

 

And now there’s this big gone-ness

Where she once was

An open space

That a bird flies across

So vast

It’s an endless sky

But it fits inside

Me

Like she fit inside

Me

 

She’ll never not be with me

And so it hurts

Deeply

To have her leave

And see

How no one will talk to me

 

The fear is great

The fear to say or do the wrong thing

It’s safer to leave me alone

And wait

I understand

 

I also understand

That you can’t understand

And if you do

I am so sorry

 

If you do understand

Let me give you this embrace

Let me hold you so you can cry

And let me tell you that I am sorry

 

I’m sorry that you know what this feels like

And even if they are afraid to be there for you

You can learn to love

Everyone

Equally

 

Because we all want

To be happy

We all want to be free

From pain

And so you see, we are all the same

 

Dear Everyone,

I know you cannot know

How it feels to watch her go

I know you cannot feel

The space she left behind

 

But maybe somewhere

Deep inside

A past life

A dream

You were a mother

Or a baby born who stopped breathing

An alternate ending

And so perhaps you do know

How it goes

 

And no matter what

I am learning that

I can love everyone

In spite

Of

My

Self

 

Throw Me Under the Bus

It’s cool and dark in our room, and we are wrapped up in blankets, fast asleep.

Except that I’m not fast asleep all of a sudden because someone is saying something outside of our room.
“Addison,” the man’s voice says. “Addison? Addison.”

We are subletting a house in Fort Collins from a writing professor who is away for four months doing Semester At Sea. We are sleeping in her bed, which fits in the room in a strange way because of all the bookshelves and because we wanted the door to be able to close.

“Addison,” I say. He breathes the deep breath of sleep. “Addison,” I say again. “Your dad is calling you.”

Why is Addison’s dad up in the middle of the night calling for Addison? It sounds like he’s faraway. Maybe he’s standing in the hallway outside of the guest room he and Melissa are staying in. I imagine bare feet on cool, wooden floor boards.

Addison stirs finally. “What?”

“Your dad is calling you.”

He wrenches the covers off of him and we both realize he’s naked. “What Daddy?” he calls.

“It’s time to get up,” his dad says.

The wheels in my head turn and click. It must be 3:30 a.m. It must be time to get up and drive Russell and Melissa to the airport.

“Okay,” Addison says. “We’re getting up.”

“My alarm must’ve not gone off,” I say, sitting up and checking my phone. “It’s 3:37 a.m.”

“Huh.” Addison crawls out of bed and fumbles for light switches and clothes.

Today is the day. Yes, it’s the day we drive my in-laws to back to the Denver airport after their 10 day visit, but it’s also the day we hand Charlie a big wad of cash and finish buying our future home: a 1991 Bluebird school bus.

We went to a credit union yesterday, one that we knew is affiliated with our Texas credit union, and asked to withdraw $3,020.00—the remainder of the cash we needed to add to our $980 in cash at home; plus the $1100 deposit we already gave to Charlie.

The girl at the bank counter typed up our account info and then looked around for her manager. “I need my manager’s permission to go into the vault,” she explained. She was slender and small, with long black hair and red nails that clacked first on the keyboard and then on the counter top.

We made small talk while we waited for the manager. “That’s such a cool design,” she said, looking at our Love Sprockets koozie that was snugged around my Spindrift sparkling cucumber water.

“Yeah, that’s our band actually,” I told her.

“Ha ha, cool!” She looked around for her manager again. Still no sign of her. She looked back at us. “You guys drink wine, don’t you.”

We blinked in unison and then shrugged. “Sure,” Addison said.

“What wine do you recommend? I have to buy some later for my friend and I.”

Addison listed off the brand name of the last wine we’d purchased since we couldn’t remember any others. We told her where she could buy it nearby.

“I just moved here,” she explained.

I almost said, “We just moved here too,” but we seemed to have enough local knowledge acquired during our short foray here to satisfy her further inquiries. So I didn’t mention it.

“I think my manager is in the bathroom,” she said finally.

Fine time for her to take a bathroom break. I do enjoy sitting in the bathroom alone though, it’s a nice hiatus from work. A meditative zone of sorts. I imagined her manager sitting on the toilet in a dress skirt with black high heels, scrolling through Facebook on her phone. Or sending texts back and forth to her on-the-rocks boyfriend.

The counter receptionist finally decided to just give us three grand out of her cash register. “It’s going to be a lot of tens,” she said. “Is that okay?”

“Sure!” Addison said.

“We’re giving it to someone else anyways,” I laughed.

She double and triple counted the bills for us and then stuffed them into a bank envelope. They barely fit, and stuck out the top.

“Sorry about that guys. Have a great day,” she chirped with a smile and wave.

So before we walk out to the car in the predawn light, I double check for our cash wad and then shove it into the depths of my purse.

We all pile into the car, including Zoso the dog, and have a sleepover-like talk while I drive us through the dark. We talk about coming-of-age awkwardness and stigmas and parenting regrets and what Melissa and Russell enjoyed about their visit.

After we drop the parents at the airport, we look up a 24 hour Denver diner.

“Charlie isn’t going to be at the shop at 5:30 a.m.,” I note studiously.

“Nope,” Addison agrees. “He says he’ll be in at 8:30.”

Our bus has been living at the Art Builder’s Guild where Charlie runs his bus conversion operation. It’s a bus that Charlie picked out and bought at an auction, and then is selling to us.

At the diner we get tea and omelets and hash browns. I can’t eat so early in the morning but I try. We also try to get some computer and writing work done, both of us rubbing our eyes and yawning and stretching.

I take Zoso for a walk around the block while Addison keeps working.

So this is Denver. I pass a church declaring the Lord Jesus Christ as Savior, alongside a sign announcing “Spiritual Movement Yoga Classes”.

I come around a corner and see a sleepy man picking through a trash can outside of Family Dollar. He finds something and puts it in his mouth, chewing while he continues sorting through discarded takeout containers and soda cups. I imagine myself looking through that trash can and being hungry enough to eat its contents. Sadness wells up in my throat. But I’m too shy to approach the man.

A skinny man with a black lab on a leash is standing on the corner, fumbling for keys to the door of the school bus parked there. The dog is pulling at the leash, wanting to say hello to Zoso.

“Come here! Come here!” the man yells, yanking at the leash. He doesn’t look up to see us.

I decide to not approach him either, though I am curious what the inside of his bus home looks like. If Addison were with me he would have already given the homeless man some money. And maybe he would have talked to the school bus guy. I just don’t trust people who are mean to their dogs. And men seem to be more likely to see me as a “pretty girl” instead of a human being. Oh well.

When Zoso and I get back to the diner, Addison is ready to roll. It’s 8:30 a.m., so we hop in the car and head over to the Art Builder’s Guild.

When we arrive, we walk up to the shop entrance where there are sawhorses, trashcans filled with sawdust, and tools hanging on the walls. A partially converted school bus is parked inside.

Four of Charlie’s crew are standing around, clearly waiting for “the boss” to show up.

“Is Charlie in?” Addison says.

“Not yet,” a fellow with dark hair, a beanie and glasses says. “But he’ll be here soon.”

“You guys are the prison bus people right?” another fellow asks. He has dirty blond hair and a beard.

We laugh. “Yeah, I guess you’re right!”

The big shop dog greets us and we slip inside past his makeshift doggy gate. We shake hands with Ben, the dirty blond- haired guy and Tim, the guy with the glasses.

“So you guys are the bus elves huh?” I ask.

“Yep!” they say, and I even get a cracked smile from the stern looking girl in the crew.

“What are y’all working on today?”

“Still working on that bus over there,” Ben says.

“Mind if we look inside?” Addison asks.

“Sure, go ahead!” Addison steps into the bus and Ben turns to me. “Man, I’m jealous of y’alls bus.”

“Aw, did we steal it from you?”

“Nah, I’m not really ready to buy a bus right now.”

“What do you like about the bus?” I ask. It’s always nerve-wracking making a decision on something like one’s future home, so I’m eager to hear positive feedback from someone who’s seen and converted a lot of school buses.

“Oh man, I like everything about it. I love that engine, the 8.3 Cummins, that thing is so beastly. And I like it’s age. I mean, the thing is indestructible.”

“I’m glad to hear that!”

When Charlie arrives I tell him, “We have a big ol’ wad of cash for you!”

“Sweet,” he says, leading us upstairs to their loft office. Everything is covered in sawdust, but in turn it all smells great too.

“There’s going to be lots of 10s,” I tell him.

“Really? They didn’t have enough 100s at a bank?”

“Well, their manager was in the bathroom so the girl helping us had to empty out her cash drawer.”

“Well that’s awkward.”

We hand him the wad. “You’d better count that to be sure.”

He spreads the bills out and counts them, than signs the Bluebird’s title and hands it to us. “It’s your bus now!”

I want to squeal and do a jig but I don’t.

We walk over to our bus and run our hands over the front of its off-white, speckled face.

“Here it is!” Addison says. “It’s a big ‘un!”

We climb up the stairs and go inside.

“It’s so sexy!” I cry, finally doing my squealing jig.

“Well, not yet,” Addison says. “Give it some time.”

“No, it’s sexy right now. It’s got soul!

“Yeah, you’re right.”

The bus is filled with double brown seats, leaving a walking aisle in the center. There’s a metal cage in the back, which Charlie assured us was used for transporting gardening equipment, not prisoners. We choose to believe him.

The bus was used for transporting prisoners to do community work around Colorado. Kinda makes me happy, thinking of those fellas or ladies going and doing good work in their communities. I try not to imagine the guys hocking loogies on the floor as I kneel down to examine the bolts holding the seats in place.

Before Charlie and his school bus elves can get started with our conversion, we have to pull all of the seats out, gut them and recycle their metal interior, and strip out any extra metal pieces, bars or strips in the interior.

Shouldn’t be too difficult, what with this sexy new drill we bought ’n’ all.

I find the biggest hexagonal drill bit in our pack and test it on one of the bolt heads.

“Um…” I say to Addison, who walks over. “The biggest drill head is too small for these bolts.”

“Seriously?”

“Seriously.”

“Well fuck.”

“Well they lent us these pry chisel thingies and that hammer, right?”

“Yeah.”

“So maybe they’ll lend us a drill-head bit thing one size bigger.”

“Yeah maybe.”

“Here,” I hand him the one that’s too small. “Ask if we can borrow the next size up.”

“Okeydoke.”

I work on getting some screws out of the metal strips that line the rubber walkway. None of them will budge. I finally pry one out with the back of a hammer. It’s so rusty you can’t even tell it’s supposed to be a screw.

Addison returns with a bit that seems to fit the bolts.

“Alright!” I watch as he fits it into the drill and then tries to unscrew the first bolt. It spins and whirs but makes no move to pull free.

“What the…?” Addison stares at the offending bolt and tries to twist it with his fingers. “It fits, why isn’t it coming out?”

“Oh lord. Try a different bolt.”

That one also spins in place.

“WD-40,” Addison says. “Maybe they’re stuck because they’re so rusted.” He starts spritzing the bolts down with WD-40.

I try the drill out on some of the other bolts with no success. Addison tests out his greased up bolts, but they are just as unwilling as the others.

I grab the sledgehammer and chisel and starting wailing away at one of the bolts. I try to wedge it out from below, and then we both take turns trying to smash it’s stubborn little head off.

“Well this is a lot harder than I thought it was going to be,”  I say to Addison.

“Yeah, I’ll say. WTF.”

I go back to the bus elves and tell them their first drill bit isn’t working. Ben finds me another one. We test it out and the bolts continue to spin in place, like rusty, metal, stubborn, whirling dervishes.

“Ok, shall we go to a hardware store then?” Addison says.

“Yep. Let’s go.”

At the hardware store an old timer helps us find the right drill bit, as well as a wrench and a screwdriver with eight pieces. I ask for a bathroom and they send me to the store next door, a Latino clothing shop. The shop girl tells me the public can’t use their bathroom. I notice that she is wearing the exact same outfit that the gray, eyeless mannequin she just dressed is wearing.

As we’re walking back to the door, we see a little fridge filled with Topo Chicos (a Mexican mineral water drink). We haven’t seen Topo Chicos since Austin!

“You want a Topo Chico?” Addison asks me.

“Sure, why not.”

He grabs the fridge handle to open the door and we see that the handle is chained and padlocked.

“Forget that,” I say.

“Yeah, forget that.”

We get back to our bus, armed with our new tools and drill bit.

Believe it or not, the bolts continue to spin in place. While Addison consults with the school bus elves yet again, I work on prying more rusty screws out of the floor with the hammer and chisel.

Addison returns and announces that we’ll have to drill the bolt heads off with a big drill bit that we need to buy.

“Tim says if they’re not coming out than we have to drill their heads off.”

“Good lord.”

“Yeah, should we call it quits for today?” Addison looks hopeful.

“No, I want to leave here knowing that we at least have a sure way to get these seats out. I feel like we haven’t accomplished anything yet!”

“Ok, ok… do you want me to go buy a drill bit at the hardware store or do you want to go?”

“You go,” I say, kneeling back down on the floor and trying not to think about prisoner loogies. “I’ll keep ripping screws out.”

“Okeydoke. See you soon.”

As I hammer and pry and my hands get covered in rust and grime, I feel good. I feel empowered. We are not just talking about this anymore, we are doing it! People are so afraid of spending money, but I feel great spending money on this project! And the money is going to Charlie and his bus elves who all seem like wholesome human beings.

And now I’m sweating and getting dirty and maybe we’ll have pulled one seat out by the time we go home today.

If anyone ever sees us in our awesome gypsy home a year form now and says, “You guys are so lucky,” I am going to laugh—most likely—and I’m going to point to the floor and the walls of the bus and say, “You know what this bus is covered in? Our blood, sweat and tears, honey.” Hopefully not prisoner loogies too. “This bus is covered in our hopes and dreams. Our deepest longings and aspirations. Our determination to never give up, to live the life we’ve always wanted. This, my friend, is not the product of luck.”

Oh, but I’m getting ahead of myself. Addison gets back with a giant drill bit and starts trying to drill the head off one of the bolts. The drill is slipping as the bolt head turns, and little shards of metal are sliding out and piling around the mangled bolt.

Suddenly Tim appears, standing in the bus. “Hey guys, how’s it going?”

“Good!” I say.

“Yeah, we’re just trying to drill the bolt heads off like you said,” Addison says. “They keep spinning so it’s hard to really get in there. But I think it’s working.”

“Yeah,” Tim says. “You know, Charlie just mentioned something—there very well may be nuts screwed to the other end of the bolts, like, underneath the bus.”

“What?” I say.

“Oh man,” Addison says.

“Lemme see,” Tim says. I follow him outside. He sticks his head under the wheel-well. “Yep,” he says. “There are nuts on the other end of these bolts. That’s why they’re not coming out.”

“No way.” I laugh. “I would’ve never thought to check that in a millions years.”

We both crawl under the bus. I lay on my side and look to see the bolt ends that Tim is pointing at. Each one has a nut on the end, holding it in place.

“Yeah, one of you will have to hold the nut on this end,” Tim says, “While the other one unscrews it from above.”

“Wow. Thanks. This is going to take a while.”

“Yep!”

Tim leaves and I grab a wrench and crawl back under the bus. I lay down and army crawl to where I can see some bolt nuts. Then I carefully sit up, wiping gravel off of my arms, and make sure I don’t hit my head on something metal and protruding.

I am in the belly of the beast now. Wow, getting run over by a bus is really not as simple of a matter as I had perhaps previously considered. I mean, there are a lot of things under here to get caught in, or on, or to get hit by as you’re being run over! It’s really quite uncomfortable!

I feel a surge of hope that the bus will remain completely still while my head is wedged between its axles.

This is really quite intimate. Me and my bus are getting to know one another for sure.

Zoso crawls under to join me, and to escape from the hot sun above. Well, he seems to say. Dis is pretty kewl.

I reach up and tap tap tap next to two bolts, asking Addison if he can find the place I’m at from above. I tap tap and clang clang and eventually Addison’s footsteps stop above me.

“Got it,” he says. I hear the drill and then one of the bolts moves.

“Okay,” I say. I grab the nut with my wrench and hold on. “Go for it!”

The drill whirs.

“Wrong way! Other way!”

“Really? But… okay.”

The drill goes again and the bolt spins and lifts out, leaving me with a lone nut balanced on my wrench.

“Yes!” I yell. “It worked!”

“Woo hoo!” I hear Addison’s muffled victory cry from above.

Slowly but surely, a small pile of bolt nuts gather on the ground next to me.

There are some nuts I can’t reach because of pipes and tubing. And some nuts are rusted onto the ends of the bolts. Those will have to be beheaded.

We work until about noon and then I pocket the nuts and crawl out.

“Success!”Addison says when I come back inside the bus. “We got a bunch of bolts out. And we own our bus now!”

“Yay.” I’m tired and happy. “From now on we have a home no matter what.”

We don’t want to live in the bus the way it is right now, but we could if we had to. We are now proud home owners.

On Sunday we’ll come back and I’ll get thrown under the bus again, to hold nuts in place while Addison pulls them out from above. But I don’t mind.